pace Bill Williams

Today’s PAD prompt: regret

Worse Than Booze

I stayed up past four,
trying to catch
what my imaginary friends
would say next

and I’m trying
to squeeze out
a few more lines
with breakfast.

Forgive me.
Their voices
are so delicious
and cold.

PAD 21 and 22

For yesterday’s haiku, I eventually came up with:

Tufts of beige hair
drift by warm eggs,
bird scolding dog.

Today’s prompt was to write something work-related. I am in fact still at the office, having begun this after I clocked out at 8:27 p.m.:

Calling

I forget if it was a priest or a parishioner
who years ago declared, “God collars those
who He doesn’t want loose on the streets”
as we stood in the Christ Church lobby
discussing div school dropouts.

I am not among them, for all these years
I have known I am not a minister. My gifts
correspond to spreadsheets, manuals,
and casting commas upon wordy waters.
Nor can I ignore how my IQ drops fifty points
whenever I’m face to face with a phone —
instant disqualification for a pastor. It’s not

a source of grief or dismay, though now and then
I covet the parking spaces, the gowns and stoles,
the being needed, and the being deserving
of being so needed, just as I sometimes dream
of gold statuettes and thanking the Academy
even though I don’t write screenplays
and the last time I pretended to be someone else
was in an Ionesco play my last year of college.
I do pretend to be more patient and kind
and content than I actually am, to honor
how fortunate I’ve been: I can’t help my hangups
but ingratitude is not only a sin, it’s a bore
and if I am indeed a creature in His image —
well, I refuse to believe in a God who pouts
or whinges about the messes one could claim
are of His making, nor do I despise
those who cannot bear to believe
in any god, given the cruelties
exercised in His name. Yet, even so,
all that I fold and file in the name of order,
all that I devise for comfort, all that I do
to harvest praise or love — “work”
is what I call my obligations to the possible,
and what is “the possible” but another name for God?

– pld

(As it happens, I do have a sermon to deliver this Sunday, so that’s what I plan to work on when I get home. And the late shift here is admittedly partly due to me taking an extra-long lunch, the better to murder a major (and majorly stubborn) darling in the short story that’s been hijacking my head.)

catching up…

The PAD prompt for day 11 was to write about an object or objects. I’d seen a large man on Rue de Chartres that morning carrying a small pair of pale blue polyester bunny ears, and have been trying to make a poem out of that, but this is what I finally came up with instead:

Objectif-iced

Nostalgic for bouncier times, Flora builds
a trio of snow-women, each with jellybean nipples.
One she crowns with a shiny headband
with pale blue polyester bunny-ears.
On the one to its left, she drapes thirteen strands
of green, gold, and purple plastic beads.
And on the third, she shapes a tentacle,
plump and curving from hip to belly,
and as she pats and squeezes its tip
she could swear the precipitate on her fingers
smells like salt.

Yesterday’s prompt was to write about rebirth:

Journey

Once the hem of a petticoat,
now the wrapper of a waffle cone.
Tomorrow a postage stamp.


Today’s prompt is to write a haiku — and/or an anti-haiku. I’m going to think about it in the shower. In the meantime, there’s Things Japanese in Tennessee, which has a poetry section (for ages ten and up) with pieces by Joanne and me, as well as luminaries such as marlene mountain and Sydney Bougy…

Restless

This week’s painting-prompt at Fifty Two Pieces is Gregory Grenon’s Moth Girl. I couldn’t help but think of it in tandem with Lesley Dill’s Standing Man with Radiating Words:

Restless

It’s after midnight, the weekday just
a few hours ahead. The lamps should be off,
the piano lid closed, the curtains drawn,
the clothes in their hampers or on their hangers,
the laptop powered off. It is not the hour
for fingers on keyboards. But none of the manuals
have chapters on getting to sleep when wings
insist on emerging from our shoulderblades. When
we don’t know how to arrange the blankets
in ways that won’t crease our panache beyond repair
or ding the edges of the letters depending upon
both to give them weight and give them flight. There
is nothing to be done except to continue fumbling
through the almost-silence for whatever semblance
of almost-repose one can retrieve from the shadows:
Martha runs through “Greensleeves” first as a boogie
and then as the blues. Across the room,
Isaac holds a “g” too close, like an umbrella
he will refuse to unfurl even when the rain
showers down as a thousand tiny nails,
glittering to the sight but dull to the ear.
It’s not an hour for sunlight: Martha moves on
to a tune I don’t know, but it’s thick with smoke
and the one drink too many that spells the abyss
between a drunken nap and sleepless sorrow.
It’s a song that’s good company for the self-forlorn:
the letters on Isaac’s back droop into drowsy folds,
and I drift into slumber as Martha eases the song to its end.

– pld

PAD 18 and 19

My weekend went off its rails in a spectacular but mostly enjoyable way, and I blame movies: Friday night’s excursion to see Sita Sings the Blues was followed by a nice dinner, during which one of my companions confessed she had never tasted a sazerac before, which then resulted in cocktails, port, and whisky back at our house (and her eventually staying the night).

Then, on Saturday, I saw My Neighbor Totoro, and spent the rest of the day resisting the urge write futurefic about its characters and to splurge on plushie slippers.

I resorted to concentrating on a difficult section in one of my existing fics-in-progress to help get my brain back into gear, but then I got engrossed in what the characters weren’t managing to say to each other, and what was supposed to have been a 500-word write-it-out-and-fix-it-later pre-supper indulgence turned into most of my weekend wrangling with multiple variations of three lines of dialogue (because the second line turned out to be a darling that needed killin’, only I didn’t get around to admitting that until after supper tonight). For a fic in a rare fandom that maybe five people will read. I have the stupidest compulsions this side of the Cumberland.

All that said, the 541 words I came up with delight me: a major reason I write fanfic is because it pushes me to engage more deeply with canon, and I end up surprising myself with dialogue and plot twists that weren’t anywhere in my consciousness when I started the story in question. That’s true of poetry as well: my piece for yesterday’s Poetic Asides prompt, “interactions,” was originally going to be something about William Shakespeare and Michael Jordan — I’d parked in space #23 in the Belcourt lot when I went to see Totoro, so that got me thinking about soaring and mastery and how neither Renaissance dramas nor NBA games are solo efforts (Shakespeare’s birthday/deathday is April 23, and Jordan’s jersey number in Chicago was #23).

But is that what I ended up with? No….

Practicing Jump Shots With William Shakespeare

Considering that I’m near-sighted, with
next-to-zero hand-eye coordination,
we’re definitely not in heaven, but
considering how many commandments I’ve trashed
and how he probably didn’t love his wife enough,
we’re in awfully good shape for the damned, and it helps
that we don’t actually get to talk, what with chasing
the eight out of ten balls we don’t quite manage
to catch from the shadows on the sidelines, and
then more chasing after the nine out of ten
that miss the hoop. The bounce and clunk of the balls
supply a rhythm — DAH-dah, DAH-dah-dah,
dah, dah-DAH, dah-DAH-dah-dah-DAH —
I ought to turn into a song, and on
the other side of the paint, I can tell
Mr. Shakespeare’s shooting to miss
different parts of the backboard, so he can see
for himself which parts actually shake
and which remain mute and unmoved.
If this were a different playground, I’d ride
his ass about his rot about “ever-fixed marks”
but no one’s keeping score, and when he lobs
a beautiful iamb my way — dah-DAH —
I fling it straight through the hoop, all net.

# # #

As for Sunday’s prompt, “anger,” I was originally stumped — not for lack of things to say on the topic, but “things to say” isn’t the same as “things I’m ready to say,” never mind “things sayable in lyric form.” There’s a page in my planner across which I scrawled a couple dozen ideas during lunchtime. When I finally sat down to do more with the tulips, my working title was “Remains” — but halfway through my original second stanza, I changed the title to “Aftermath,” and then I went back to the top of the poem and rewrote every line I’d typed in so far. (Today’s word for the writing process is definitely Sisyphean.)

Aftermath

This morning, the tulips were fresh
in a florist’s vase: four were candy pink,
four were butter yellow,
four were milk white,
and one was licorice purple-black.

Now they are confetti on the driveway.
The glass has been swept up, but I cannot
repair how the water blurred the “3”
on your daughter’s hopscotch trail.

I have been making a point
of preparing meals
that will keep for several days.

Even so, after you both
left the table before dessert,
I had to count to ten
while I rinsed the dishes.

– pld

[N.b. Not an autobiographical poem, but with friends whose marriages are breaking up, the topic has not been far from my mind.]

PAD Day 17

Today’s challenge: title a poem with “All I Want Is ____” and go from there. So:

All I want is not to want things
that are pointless or painful to want
especially given how much I possess
that I thought I’d wanted, and do, but look
at how little I’ve done with it, and at
the feasts at hand I’ve not yet fully savored
so why my fool heart still covets more crumbs
of unearned idolatry, unsolicited joys,
and unconditional connections — I want
such senseless cravings to cease.
such senseless cravings to cease.And yet
all that I do not want to become
stays my hands from straying toward
the things that are not mine, no matter
the depth of my damnation — these days
through which I dogpaddle past
the siren serenades and the hollow gifts,
‘til my self-churned waves cast me upon
the shore of a story with a happy ending,
one in which I don’t find myself wanting.

– pld

(P.S. I don’t have the chops or know-how to match the html color code to the background within a reasonable space of time, so if you see the spacer-text in front of “And yet,” please just pretend it’s blank.)

So I Decided To Make Up Easter

The Day 12 (Easter Sunday) prompt for the PAD challenge was to title a poem with “So We Decided To ____” and then elaborate on it.

So We Decided to Walk Down St. Claude

Easter Sunday in New Orleans, we had our choice
of at least five parades: Chris Owens, Arnaud’s,
St. Charles, the gays, and the Goodchildren Carnival Club.
We weren’t in the right mood for Vieux Carre hijinks
so we headed toward the Goodchildren gathering
at the corner of St. Claude and Poland. Along the way,
a half-dozen strangers wished us “Happy Easter,” and
one man cheerfully yelled, “Where’s my candy?” We also
passed a brick building where someone had sprayed
anti-war slogans. Eight blocks east,
a dentist’s window proclaimed, “We Cater to Cowards.”
The police hadn’t arrived at the start of the route
by two-fifteen, so one of the firemen
angled his truck across a lane
as a wall between the restless bunnies
and would-be thru-traffic. A woman in
a hat bedecked with large purple flowers
and an alligator plushie peeking out of her bag
kept trying to reach the cops, while one of the bands
passed the time repeating “Down By the Riverside.”
Finally — one, two, three boys in blue.
The marchers mush into their lines. The sirens toot,
and ten minutes later they’re all past the turn.
If it weren’t for the trinkets cupped in my palms —
a green plastic egg, a xeroxed fleur de lis
inside a metal frame, two strands of beads —
there’d be nothing to show me what I’d just seen.
Ten years ago, I’d have hoarded such relics,
and twenty years ago I’d have gone to Mass
as a voyeuristic indulgence, the way I always order
a wine or whisky I haven’t yet tasted
when we splurge on a dinner out. The older I get,
the less I try to cling to the past, for
the more I realize how much it costs
to clutch at even insubstantial dross. But blessed
are they, I’m told, who see not, yet believe. I see
yet do not believe. I am blessed nonetheless.

– pld

riff on color (PAD day 16)

This morning, at my personal blog, I claimed I was about to head to work.

Assorted chores and one shower later, I’m still about to head to work. But first, here’s my response to today’s prompt at Poetic Asides, which was to select a color for a title and then write about it:

Flute White

I am not an artist, so
to suggest a flute, I reach
for a gray or silver crayon

but here at Cafe EnVie
we breakfast below a fine painting
of a jazz musician. The keys

of his flute shine out, bright
in the Monday morning gloom,
white splashes of light

like Cheshire teeth gleaming
from dark green thickets. Like
a trill of sparks within
a moody solo. Like the fall

of water from our showerhead
that, not being an artist, I
would try to depict
as something transparent —

streaks of white in a painting,
or streaks of black in line art — only,
the way it falls reminds me how
notes swarm out of a virtuoso’s flute

like clouds of fireflies. Brightened
by the sunlight pouring through
the bathroom window, the water

strikes the tiles in a cascade
of gold and of tinsel, silvery
as the oil-paint white

keys of the flute above us,
as glittering as the note
that sounds as our glasses meet.

– pld

the blood already running there

Today’s PAD challenge: take a favorite poem, change its title, and then write a poem in response to the new title.

[Source poem: A Poem for Painters by John Wieners]

A Drink for Dabblers

To start, there is no defense.

My kitchen contains no wild
fruit, no
flapping of guardian
wings, no cherished chants,

yet, when petitioned
to brew up a blessing,
I leave the drawbridge down,

so eager my fire
to be more than a brown shadow
lining a wall within the ruins
of other people’s memories.

I serve you this tea,
knowing the thirst, leaving

what will last
up to your hands and their restless
roaming. My pitcher pours
its psalms upon palms
no longer outstretched
by the time the ale foams
its promises along
the cracks of your gloves.

– pld

[Some poems are like “Greensleeves” — they become the song that slides without a second thought out of one’s fingertips during sound checks, at unattended pianos, and within collabs and improvs. I’ve riffed on “A Poem for Painters” before, and if you peeked at yesterday’s handwritten drafts, you’ll have noticed that I’d started out by picking yet another fight with Shakespeare Sonnet 116…]

one from the weekend

I did see Friday’s PAD prompt before catching my flight to New Orleans: it was “Friday.” I flirted with a number of possibilities over the following twenty-odd hours, but I eventually sketched out the start of this early Saturday morning (I habitually fade away to bed before the rest of the Saz-Erac household. While it doesn’t always translate into my rising before the others the next day, I woke up eager to write about a statue I’d seen the previous afternoon…):

Shabbat

Five days of the week, and sometimes six,
Stanley is at his desk before sunrise.
Four days of the week, and sometimes five,
he’s still crunching numbers
after the sun disappears

but Friday night, no matter who tries
to chain him to their columns of demands,
Stanley leaves the office before sundown

and as the candles glow
and the wine wakens his tongue,
shining psalms unfurl from Stanley’s shoulderblades,
floating him into his day of rest.

-pld