National Endowment For The Arts Funds Construction Of $1.3 Billion Poem ; Poetry Bailout Will Restore Confidence of Readers (via)
Author: joanne
Introduction – Joanne Merriam
I’m Joanne Merriam. I’m 35, female, agnostic, an immigrant, a Red Tory, a proud Maritimer, a liberal feminist and a running dog capitalist. I write poetry and science fiction. I have a nuanced position on the Oxford comma. I’m a temp; right now I’m doing lease and title work for an oil and gas lease acquisition company. I’m from Halifax, Nova Scotia, but I’m living temporarily in Murfreesboro, Tennessee (former home of the world’s largest red cedar bucket) and officially reside in Concord, New Hampshire, where I’m returning in three months. My poetry collection The Glaze from Breaking (Stride) was released in the UK in January 2005 but is now out of print. My poems have appeared in more than two dozen periodicals and a handful of anthologies.
Hi. Hello!
“I think you think I don’t know who you are,”
she says at the window, “but I know what I know.”
– “The Puzzle House” by William Baer
Just as an aside, the Ampersand Project (and the online journal) that Peg mentions don’t exist anymore (the server they were on, and my laptop, had contemporaneous hissyfits, and rather than a painful reconstruction I just took them down), which means that a sustainable living learning center in New Mexico could take over the name (without, I’m sure, ever having heard of our use of it).
the line is varied
Googling “vary the line” brings up this patent description: “A bite indicator is described comprising a body (10) to be mounted on a fishing rod support, a rigid arm (24) pivotably mounted relative to the body (10) and releasably connectable at point spaced from the pivot axis to the line of a fishing rod resting on the support, and means (26) for resiliently applying an adjustable torque to the arm (24) to enable an adjustable force to be applied by the arm to the fishing line.” There’s a poem in there somewhere. Or operating instructions for writing one.